Last year Book fair at Hyderabad cleared many things like Telugu speaking population are avid book readers and they love to remain close to their mother. Sita (Telugu): Warrior of Mithila (Ram Chandra Series) The Immortals of Meluha (Shiva Trilogy). Amish The characterization of Lord Shiva is fantastic. The Telugu version of The Immortals of Meluha will be officially launched on the 22nd of November (Thursday) in Hyderabad! Do visit the official Amish.
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First book of the trilogy, the Immortals tale unfolds in Meluha, a land that is ruled by the Suryavanshi tribe that firmly believes in the prophecy of 'Neelkanth' Shiva . Hi, Now download Shiva Triology hindi pdf books here. A best novel by Amish tripathi part of 1 Shiva trilogy in Hindi now. Meluha Ke Mritunjay. Free books: Download Free Telugu PDF eBooks. Kaburulu by BVD Prasada Rao FREE. Tribhasha Nighantuvu Telugu English Hindi by Peddi Sambasivarao.
As he leaves for Branga, Sati stays back at Kashi to prevent a lion attack on the local villagers. They are helped by a group of Naga soldiers, led by a man and a woman, who assist them in killing the lions.
The Naga woman reveals herself to be Kali, Sati's twin sister and the man as Ganesh, Sati's child from her first marriage believed to have died at birth. Both were denounced by Daksha since born with deformities. Kali had two extra functioning hands while Ganesh's face resembled that of an elephant's.
An overwhelmed Sati brings back Kali and Ganesh to Kashi. At Branga, Shiva meets the recluse bandit Parashuram, who can enlighten him about the Nagas and the medicine. After defeating Parashuram, Shiva comes to know that he is a Vasudev, the group of scholars who have been guiding him on his journey. Parashuram is also surprised to see Shiva as the fabled Neelkanth; in remorse for his actions, he severs his left hand.
He gives the recipe of the medicine to the people of Branga and joins Shiva's entourage. Shiva recognizes Ganesh as the Naga who attacked Sati and as the supposed killer of his friend, the scientist Brahaspati.
Enraged, he leaves Sati and takes up residence at the Branga locality. One day, while playing with Kartik at a local park, Ganesh saves them from a lion attack. Shiva forgives him and together with Sati, confronts Daksha, who confesses to murdering Sati's first husband and denouncing Kali and Ganesh.
Daksha blames Shiva for causing distrust between him and Sati; he is asked to leave for Meluha. Shiva travels to Panchavati under the guidance of Kali, who is the Naga queen and knows how to reach the capital through the treacherous Dandak Forest.
On their journey, the entourage is attacked from the river side by a cache of ships containing the weapons of mass destruction known as Daivi Astra that was once forbidden by Lord Rudra, the legendary supreme ruler of India.
After fleeing from the attack and safely reaching Panchavati, Shiva and Sati suspect Daksha to be behind this.
Kali takes Shiva to a nearby school in the capital, where he finds Brahaspati, perfectly alive and teaching a class. Characters and locations[ edit ] Tripathi believes that "Myths are nothing but jumbled memories of a true past.
A past buried under mounds of earth and ignorance. He is a Tibetan immigrant to Meluha and the chief of the Guna tribe. On arriving in Meluha and consuming the Somras a potion , his throat turns blue making him the Neelkanth of the Meluhan legend, which speaks of the appearance of Neelkanth as a destroyer of evil.
The Meluhans end up believing that Shiva would be their saviour. Sati — A Meluhan princess, she is the daughter of King Daksha. Shiva falls in love with her but could not marry her initially because of a law that considers her to be a Vikarma, an untouchable; he later marries her going against the law. According to the Meluhans, Vikarmas are people who bear misfortunes in this life due to sins of their past births.
Sati is a skilled swords-woman and is very brave since childhood. A loyal devotee of Shiva, who is often considered for his opinion and suggestions by Shiva. Veer Bhadra — A captain of Shiva's army and his close childhood friend.
The Secret of the Nagas
He was later renamed as Veer Bhadra, a title earned by once defeating a tiger singlehandedly. Certified downloader , Bokaro Steel City. Certified downloader , Bangalore. Certified downloader , Jaipur. Certified downloader , Bahadurgarh. Explore Plus. Enter pincode. Usually delivered in days? Amish Tripathi. English Binding: Paperback Publisher: Westland ISBN: SmartenApproach 2. The first part 'The Immortals Of Meluha' is set in a time when Shiva wasn't a God; as the story unfolds, Shiva is hailed as a protector for the residents of Meluha.
But will he live up to it? These books belong to an entirely new genre of Indian novels because of the mythological- fiction theme.
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Writing Style Amish unfolds the concept of Karma and reincarnation in his books with succinct ease. His style of penning down instances is gripping and makes a compelling read.
The depiction of Shiva's intoxicating dumru and chillum is spine chilling and gives you a taste of his intensity. He is an alumnus of the reputed Indian Institute of Management, Kolkata. Tripathi always wanted to be a historian and is also interested in mythology and philosophy. Frequently Bought Together. The Secret of the Nagas and the Immortals of Meluh Oath of the Vayuputras. Revolution Twenty20 - Love. Add 3 Items to Cart.
Rate Product. I am not talking about the novel We must also take a look at the portrayal of characters like Veerini, and Renuka, mother of Parshuram. She could not even raise her voice over her husband in order to live with her children. For her, motherhood provides her the essential agency and empowerment.
Her voice only starts finding its place when her children are in danger. Obsession with his beloved child Sati, Daksha could cross any restrain. Veerini acts as a logical restrain to him.
The Immortals of Meluha (Meluha Mrutyunjayulu) (Telugu) Paperback – 2012
She decides to live the same fate with her subjects. Portrayal of Renuka, a Kshatriya lady is really important here. She dared to go against her own clan for the sake of her love, and also pursued her husband to live her life in her own terms. She advocates her own voice for her freedom. That brings her the horrific end: honour killing. In the texts, we can find that the Vol. The law of Vikarma is the obvious point being referred to here.
Tripathi makes the marginalisation not merely in terms of social class, but in terms of the experiences of lives. He explores the humiliation and subjugation experienced by marginal people and accommodates the contemporary social reality of untouchability.
Even by making the princess a Vikarma, the author probably propagates the surface reality of equality in the texts. One must notice that the rule was diluted by Shiva, an outsider. Shiva fights for the powerless, the victimised, the voiceless marginalised people, and by providing them a better chance to live, churns out the best of humanity out of them. In a nation with histories of untouchable clans, such treatment of rewriting history and challenging them from a position of power requires to be read carefully.
One must take a look the way the first impressions about the major places are marked in the narrative. Each city is marked with some specific architectural patterns. The Meluhan Empire is marked by the use of a particular set of monochromatic colours and structures. Devagiri is described in The Immortals of Meluha in the following words: The blank walls that faced the main road bore striking black etching depicting the different legends of the Suryavanshis, while the walls themselves were painted in the sober colours of grey, light blue, light green, or white.
The most common background colour though appeared to be blue. The holiest colours for the Meluhans were blue, denoting the sky.
Green representing nature, happened to be placed just Vol. Meluhans liked to divine a grand design in every natural phenomenon and thought it wondrous that blue was placed just before green in the colour spectrum. Just as the sky happened to be above the earth. At first glance, it promised much. The outer walls were thick and looked astonishingly powerful. Each alternate brick, however, was painted in pristine white, the royal colour of the Chandravanshis. Numerous banners, tinted in pink and blue,.
Everything was painted bright — from orange buildings to parrot green ceilings to shocking pink windows! Civic-minded rich Swadweepans had created grand public gardens, temples, theatres and libraries, naming them after their family members, since they had received no help from the government. The Meluhans, despite finding it strange that a public building should be named after a private family, were awed by the grandeur of these structures.
A vibrant city, with exquisite beauty existing side by side with hideous ugliness, Ayodhya disgusted and yet fascinated the Meluhans. The colours used by Meluha are in harmony with the nature. It reflects their orderly, rule bound, synchronised nature. They are aware of their lack of order in their lives, and they celebrate their extravagance. Beyond the trees lay the plethora of temples.
Branga again requires to be mentioned. Despite their superb condition, these public buildings were rarely used. There were no poor or rich amongst the fifty thousand Nagas who lived there.
Apart from this, Tripathi himself mentions in an interview that the covers of the books implicate a particular journey. The first book of the trilogy uses a blue cover, the second one is with a green cover, and the last one features a red cover. The author explains, all these colors belong to the additive color system, which denotes a journey from black to white, i. Books are promoted much before their publication with the aid of mass media penetration to the point of pre-publication saturation.
Books have started being launched with respective audio, visual and audio-visual files. The movie rights are bought even before the publication of the entire series. The marketing strategy opted for this particular series of books was myriad and mind bogglingly lucrative to say the least.
For the first book, a semi-animated graphic trailer was released. For the second book, movies-like trailer was created, and screened in public forums like theatres and multiplexes. The trilogy has already gained the author an amount of more than fifty crore, even without taking in account the movie adaptation rights.
Praise for the Shiva Trilogy
The translations of The Immortals of Meluha and The Secret of the Nagas are the first translated books to enter the Top 15 national bestsellers lists. This book series has instigated the creation of a music album dedicated to it. Even there are ceremonies for the publication of the book cover that takes place much before the publication of the book.
The publication of the books becomes the major literary events of the year. Sanghi, in his texts, The Krishna Key, makes a number of references to the Indus valley civilisation as explained in the Shiva trilogy, without making reference to either of the books or the author. But the explanations and the historical framework has been sanctioned by Sanghi in his work.
The Shiva Trilogy posits the reason behind the destruction of Meluha as being fallout of a nuclear blast. Sanghi, in his fiction, mentions that archeological excavations have proved the existence of some nuclear blast in the remote past in the Indus valley.
Even Somras is mentioned as being an evil influence in the ancient past. Plenty of such intertextual references run through the fiction by Sanghi. In this way, the neo-mythical writers have structured a parallel domain of logic and reason, which offers a fresh and alternative outlook to our past.
The intertextual references make the reading as well as the interpretation even more pleasurable. The traditional outlook to western literature, both as a point of reference and inspirational vantage point has been shaken off.The one reason, I read through the series, though incomplete, is the very serious romanticized take on a mythological figure.
Their leader Divodas gives Parvateshwar a healing herb which works. Sanghi, in his texts, The Krishna Key, makes a number of references to the Indus valley civilisation as explained in the Shiva trilogy, without making reference to either of the books or the author.
Warrior of Mithila. The approach towards the study of myth has changed with the course of time. Devdutt Pattanaik from The Tribune commented that "the writer takes us on a sinister journey with the characters, who frequently sound as if they are one of us only. She could not even raise her voice over her husband in order to live with her children.
This is not a book for such a person.
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